Tuesday, 26 June 2012

John Myers

John Myers is a well known British Photographer that's associated with the likes of Martin Parr for the subject/style of his work. It's been said that Myers 'captured a generation' and captured the essence of Britain at that time.
He's also curated, has his work published and exhibited all over and now he's more focused on his artwork and what he produces as an artist not a photographer.
Myers has been featured on the 'British Photographic History' website and was interviews about his recent exhibition of his work from the 1970's at the Ikon Gallery in Birmingham. The exhibition's called 'Middle England'.



One of the things about British Culture or the way we lived that Myers liked to capture was how we used space, he wasn't a fan of going into peoples houses and moving furniture around he liked people to feel comfortable as well as actually shooting them in the space they'd created for themselves. Recently John Myers visited us at Burton and South Derbyshire College and we were lucky enough to see him talk and he went into detail about some of his images and publish books, series of work.  He spoke about this image and this day, he said he went to their house, took no more than 10 shots and new this was the one, because of their positioning. He said the way they sat and were together in the space was the thing for him. he liked them facing into each other and the little details, like the way they sat, him holding his pipe and even the bruise on her leg. He said he just liked how they were, together, in the space and how you can tell their a couple just by looking at the picture even though they're not touching, kissing etc.


This was another of Myers' images that he talked about. Again, his fascination was with space. He was talking about the lady in the image and how she had all this space in her living room, yet put her chair right in the corner and kind of cut herself off from everything. This is interesting to me as when you look at the image it looks like it's been so put together and like the chair and her have been placed there. Yet this is her space. I like this photo and it does remind me slightly of Martin Parr's work because of how British it is, to me. The mantle piece, the fireplace, the ornaments up at the top and even the carpet and fire itself reminds me so much of old family photos and that era in general.


Whilst taking photos, Myers realized how no one really looks at the things we see or walk past everyday if they're not in a certain style or anything else. Things like this we see everyday but no one looks at them or sees them they're just there, and blend in. Yet when you look at them, it makes you wonder, why like that, why did someone design this like that when it's something someone's going to see every day, a bit like, 'boring postcards' by Parr, this highlights the monotony of things that become part of our culture.  


Tuesday, 19 June 2012

Amelia Beavis-Harrison

Amelia Beavis-Harrison is an artist and curator based in Nottingham in the midlands. She set up and runs the 'Lincoln Art Programme' which is a live art commissioning body in Lincoln, she does this alongside her other projects and freelance art work.
Her art is informed and inspired by her surroundings and all the research she does links her work together whether it's a piece of art, a text based piece or a performance. The research she does involves looking into histories, myths, news articles, local stories and her work is 'informed' by situations, conservations and productions of art as well as the previously listed.
The live art she produces and performs is usually linked well to the local area and art surrounding art scenes.

Amelia also completed the 12 month challenge in 2010.
1 project. 12 challenges. 12 months - 1 challenge a month.

2010 Challenge on Amelia's Website!


"Throughout the course of 2010 challenges were submitted to be undertaken and used as a starting point for the production of art work. It aimed to test artistic practice by undertaking tasks that were in some way alien, and challenges that didn't allow for easy options and had a high chance of struggle, fatigue and failure. Although the challenges were invited to be open, many of those submitted were personal to the challengers, and relevant to the individual.
Throughout the course of the project the emphasis began to shift. Instead of selecting the most challenging each month, the challenges began to be selected with the quality of art work in mind. The project was an exploration into the collaborative act of an artistic practice, and the exploration was an opportunity to discover, take part, learn, take risks, fail and excel. The project concluded in 2011."

Amelia got people to send her challenges, once she had been sent 12 her mission was to complete these art based challenges, one per month, for the whole year. She also assessed how well she did and kept track.

Her art and the projects she takes part in have given us something to think about, whether we could do the same, make up our own or challenge each other.


Example of a challenge: 





Each challenge was posted on her website with some sort of proof she'd done it, photographs, video or audio etc. 
Here's the image that goes with her January challenge.






"January Challenge


18 points out of 576
3.125% successful. 
1.125/36 

Guests in attendance:
Steven Ingman
Next door neighbours
James E Smith
The Lady Mayor of Nottingham, Councillor Jeanine Packer
'Invite local celebrities, national celebrities, local government, local clubs and societies, local press, important people and less so, to come to your studio and have you explain what it is that you do / are doing. It will take all of your cunning and tactical skills to get people to actually come, and you can rate the exercise based on who you manage to get (ie. the mayor = 10 points, head of the local hells angels = 4 points).'"